I am writing this post in a pleasant, food-induced stupor (Vegetable pulao + raitha). I have to say that I've surpassed myself this time with the pulao! Yummmm..Of course, my pulao has nothing to do with T.M. Krishna's brilliant concert last week in Cincinnati..:-)
Frankly, I didn't go to the concert expecting too much. I like T.M. Krishna and own a couple of his CDs but I've never been raving fan of his. But he managed to convert me into a believer in the span of 3 hours and 45 minutes! It was a classic, traditional Carnatic concert replete with Ragam Tanam Pallavi. What really attracted me in this concert was the refreshingly off-beat krithis that were chosen in very common Ragas. The ragas he chose for the evening were quite crowd-friendly -- Ananda Bhairavi, Kamas, Sankarabharanam, Atana, Riti Gowlai, Hamsanandi and Salaga Bhairavi. When he started on Atana, I thought he'd sing Tyagaraja's "Yela Nee Dayaradu" or Sivan's "Nee Iranga Enil". Surprisingly, he embarked on "Kumaralaya Nagara.." by Swathi Thirunal. For the main piece of the evening in Sankarabharanam, he chose "Dakshinamurthe.." in Misra Jhampa talam.
The Ragam Tanam pallavi was also quite an interesting piece demonstrating his mastery over intricate talams and ragas. He started off in Ritigowlai in a 10-beat cycle. In the pallavi section ("Dasaratha Bala Rama Chandraiyya"), he cascaded onto Mohanam, Dhanyasi, Kalyani before coming back to Riti Gowlai.
I think T.M. Krishna is half-way there on his way to greatness. I'd have loved to seen a bit more bhavam in his singing along with technical flourishes. This week its Aruna Sairam in Cincinnati. More on that concert next week....
Frankly, I didn't go to the concert expecting too much. I like T.M. Krishna and own a couple of his CDs but I've never been raving fan of his. But he managed to convert me into a believer in the span of 3 hours and 45 minutes! It was a classic, traditional Carnatic concert replete with Ragam Tanam Pallavi. What really attracted me in this concert was the refreshingly off-beat krithis that were chosen in very common Ragas. The ragas he chose for the evening were quite crowd-friendly -- Ananda Bhairavi, Kamas, Sankarabharanam, Atana, Riti Gowlai, Hamsanandi and Salaga Bhairavi. When he started on Atana, I thought he'd sing Tyagaraja's "Yela Nee Dayaradu" or Sivan's "Nee Iranga Enil". Surprisingly, he embarked on "Kumaralaya Nagara.." by Swathi Thirunal. For the main piece of the evening in Sankarabharanam, he chose "Dakshinamurthe.." in Misra Jhampa talam.
The Ragam Tanam pallavi was also quite an interesting piece demonstrating his mastery over intricate talams and ragas. He started off in Ritigowlai in a 10-beat cycle. In the pallavi section ("Dasaratha Bala Rama Chandraiyya"), he cascaded onto Mohanam, Dhanyasi, Kalyani before coming back to Riti Gowlai.
I think T.M. Krishna is half-way there on his way to greatness. I'd have loved to seen a bit more bhavam in his singing along with technical flourishes. This week its Aruna Sairam in Cincinnati. More on that concert next week....